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Reviews For The Loz Netto Band album 2010 'Bridge of Dreams'
Blues Matters Magazine, issue 57, Dec 2010 to Jan 2011
The Loz Netto Band
Bridge of Dreams, Feral Boy Records
I didn’t know Loz Netto from Adam, but listening to this C.D I now have respect for a
man who has taken everything that life has thrown at him, and still comes out
fighting. I could come out with all sort of clichés about the musician having actually
felt the blues ( and there’s no doubt he has), but for someone to be able to produce
this quality after the punches ( some of them have been “low blows”) he’s taken from
life is the mark of a real fighter! Enough of the boxing analogies,
the combination of the man himself, Nigel Ball and Rob Kenny have produced a
sparkling album which crosses some genres but is essentially a Rock and Blues
production. Netto’s own composition “Bridge of Dreams” opens the album with
dexterity of playing that sets a very high standard for himself. Unsurprisingly he
maintains it throughout and it is perfectly complimented with the Bass fretwork of
Ball and the sympathetic drum playing of Kenny! Netto has a blues
voice to die for and “Dixie Chicken” on track 4 is raw and gutsy both vocally and
musically. “Wild” is a perfect example on the penultimate track, of sharp lyrics superb
guitar playing and percussion in total harmony. This is top stuff from start to finish; I’ll
be looking out for more from this slick moving fighter. I couldn’t resist the last boxing
cliché - sorry!!
Tom Walker
Guitarist Magazine. Nov 19th 2010
The Loz Netto Band, ‘Bridge of Dreams’ 4 stars
Feralboy Records.
Loz Netto returns with this bluesy three-piece. His Southern sounding slide workouts
are ingenious at times, and the highlights are covers of Little Feat’s Dixie Chicken
and Lord Cooder’s Get Rhythm. This is quality slide alright. (BW)
Classic Rock Magazine. Nov 2010
A weather-beaten journeyman previously scouted by Ahmet Ertegun and Gene
Simmons, Loz Netto at his best is a lovely, languid guitarist and belting vocalist.
Henry Yates.
Maverick Magazine Review: Nov 18th 2010
The Loz Netto Band
BRIDGE OF DREAMS
FeralBoy Records LNPCD08
***1/2
Dripping with rocking sweat that is the product of many years of hard work
The album consists of nine songs with many certainly hitting the spot.
Recorded live, Loz’s guitar on Wild soothes the soul in a tune ideal for a late night
listen. Although this band is in their infancy, here’s hoping that they at least reach
their teens for the awesome sound they create is simply remarkable.
To those who don’t know, Loz Netto should be regarded as a British legend. RH
Adrian Phillips www.allgigs.co.uk
Bridge of Dreams - The Loz Netto Band Album Review, September 2010
Until I was sent 'Bridge of Dreams' to review I knew nothing about Loz Netto (apart
from his name sounding like a budget supermarket) but I'm now fully aware that he's
a cracking blues/rock guitarist with a voice you could easily mistake for Clapton's.
Recorded live and in the studio 'Bridge of Dreams' has a wonderful earthy feel to it
and leaves your ears knowing they've had a good time.
Fatea Magazine. October 2010
http://www.fatea-records.co.uk/magazine/releases.html
The Loz Netto Band
Album:Bridge Of Dreams
Label:Feralboy
"Bridge Of Dreams" Has got a really live feel to it, and feels like it's trying to reach
across that gap that takes the mundane into the good times. There's a freedom that
flows off the fretboards and into the room, aided and abbetted by the man on the kit.
This is a classic, guitar, bass, drum trio out to have a good time. It bristles with good
times, correction, great times.
Get Ready to ROCK! Album Reviews (Oct 2010)
THE LOZ NETTO BAND Bridge Of Dreams Feral Boy Records
Best known for his stint in the chart topping Sniff & the Tears, he's worked with
industry big hitters
including Ben E King, recorded for George Martin, been signed by Atlantic's Ahmed
Ertegun, produced by Colin Thurston (Duran Duran) and he even got himself a deal
with Gene Simmons's label for some movie soundtracks. He's back with an album
that sparkles in parts. 'Bridge of Dreams is packed full of edgy 'live in the studio'
workouts - and there's an undoubted bluster and real vigour to the playing. The
album opens with the whammy bar dramatics of the title tack and muscularly works
its way towards another highlight, a funky cover of Bill Withers', 'Use Me Up'. The
eloquent guitar lines and his durable rhythm section see him home. When the trio
kicks in they really work up a head of steam and a tension building dynamic that is
thoroughly explored by Loz's dynamic guitar breaks. 'Wild' is a kick ass band at full
stretch showing what they are capable of in the studio. And that is exactly what he
does and as if to square the circle the closing funky groove of 'What U Dun' is the
perfect meeting of structure, harmonics and improvisation. As it is, the trio's vibrant
interplay alone merits 4 stars. ****
Review by Pete Feenstra
www.getreadytorock.com/reviews2010/loz_netto.htm
www.bluesinthenorthwest.co.uk
Review 27th Oct 2010
THE LOZ NETTO BAND
“Bridge Of Dreams”
(Feral Boy Records – LNPCD08) “Bridge Of Dreams” is a nine-track album
– three originals and six covers – recorded at various venues and in a
rehearsal studio over the last two years, with no overdubs and nothing beyond
two takes, just the trio playing live, all featuring Netto’s tough guitar and
vocals and the driving rhythm section behind him, just three musicians
enjoying themselves! The opening title cut, “Bridge Of Dreams”, is an
instrumental dominated by Loz Netto’s guitar, an atmospheric, moody piece,
with the pace taken up on a rocking version of the John Lee Hooker classic
“This Is Hip”, with some fine slide guitar work.
The timeless “Dixie Chicken”, grooves along nicely courtesy of the slide
guitar and the rhythm section of Nigel Ball and Rob Kenny. another slide
guitar showcase on “Wild”, with a rockabilly backbeat, and some more
driving funk on the closing live cut “What U Dun” . .. it’s five and a half
minutes giving the trio plenty of time and space to stretch out. GRAHAME
RHODES
Blues in Britain Mag 3rd November 2010
The Loz Netto band-Bridge of Dreams
Feralboy Records LNPCD08
Singer and guitarist Loz leads his bass man Nigel Ball and drummer Rob Kenny
through a nicely raw and spirited set of borrowings and three originals on this CD.
Though the opener (Incidentally the title track) is a tough guitar instrumental work-
out a little reminiscent of the very early seventies, this is by no means a ‘typical’
blues set. That is not just because Loz includes a couple of excellent covers of Little
Feat material, complete with sinuous whining slide guitar and laconic vocals. He also
turns in a distinctive, blues rendition of Johnny Cash’s ‘Get Rhythm’ from 1956,
whilst Bill Withers, ‘Use me Up’ is given the tough treatment, though remaining quite
space-y. In more familiar territory maybe, he tackles John Lee Hooker’s ‘This is Hip’
leaving just enough of the Boogie Man to remind you who wrote it but ensuring it is
no by rote copy. Keb’ Mo’s ‘Am I Wrong’ chugs along nicely. Loz’s own brace which
finish the album are also more rock-inflected. This is a CD that extols the virtues of
simplicity in it’s production and presentation. But then who needs over-produced
blues. Netto-Blues-speak for ‘not bad at all’! Rating: 8- Norman Darwen
Round Up Time
Blabber and Smoke
December 11, 2010 by Paul Kerr
The Loz Netto Band. Bridge of Dreams.
While Blabber ‘n’ Smoke has a deep love and respect for blues music it has to be
said that the majority of modern electric blues doesn’t rock the boat here. Going
back to the roots of country blues is often appreciated (see the recent Tom Feldman
review for example) but it’s far too easy to slip into a copycat mode and few artists
have achieved the power and visceral feel of blues since the likes of John Campbell,
Rainer Ptacek and Stevie ray Vaughn (all sadly deceased).
This Loz Netto chap however is intriguing. With a history going back to London pub
rock with the bands Moon and Sniff ‘n’ the Tears (remember the great Drivers Seat)
and a cover of Little Feat’s Dixie Chicken on the album it begged a listen. On the
face of it The Loz Netto Band are a typical three-piece blues band. However the
opening song Bridge of Dreams is like the soundtrack to a film noir classic,
As I said, intriguing. In fact there are no routine 12 bar blues here with covers of Alan
Toussaint’s On Your Way Down and Lowell George’s Dixie Chicken owing more to
the New Orleans southern soul slink that does fill our heart with wonder. With a nod
to Ry Cooder in their cover of Cash’s Get Rhythm the band overall are tight and the
fatback guitar sound employed by Netto is a welcome reminder of the great Danny
Adler and Roogalator, another staple of those long lost pub rock years. Get hip and
enjoy some gumbo here. Paul Kerr
THE TRUE SPIRITS RIDERS CLUB 2009
Having First Seen them play at AMOC
North Surrey's Summer Party, then booking them for our own second anniversary
party on the strength of that performance and then again seeing them play at AMOC
North Surrey's October Party. We have pretty much decided that The LOZ NETTO
BAND. Gets our vote for the best band we saw in 2009. The Video's below are just
for reference, as good as they are they by no means do justice to the bands live
performances. Trust us if your into Rock 'n' Blues with a modern twist then this band
is simply brilliant, but you don't have to take our word for it. So if you get the chance
check them out. They're a must see!
Jon .Vice President -www.truespirits.co.uk
New Crawdaddy Blues Club
review written by Mike Lightfoot
20th August 2009- LOZ NETTO BAND
Every now and then Paul Dean pulls a rabbit out of the hat and this evening
was no exception. The only thing that most of the audience new about Loz
Netto was 'Driver's Seat' from a previous band, Sniff 'n' The Tears. By the
time we went home, we'd been treated to an evening of top quality blues,
heavily influenced by the great Little Feat.
The band used their opening number as a sound check.
By the time we'd got to the Ann Peebles classic 'I can't stand the Rain' the
sound was sorted and the band shifted up a gear. With Bass player Nigel Ball
playing like a lead guitarist and some very funky drumming (I didn't get the
drummers name--sorry!!) Loz had ample room to demonstrate just what a superb
guitarist he is. Highlights?? 'Crossroads' (a Loz original) , Keb Mo's 'Am I
Wrong' and 'Dixie Chicken'. I look forward to seeing these guys again.
Loz Netto 'Replay'
Reviewed by Grahame Rhodes, 24th Sep 2009
bluesinthenorthwest.com
The 12 tracks here are all in a similar vein-a laid back stew of blues, funk, and soul.
The opening 'Crossroads' is a benchmark for what follows - a smooth bluesy groove.
'Waiting For You' has some nice slow blues guitar and a Southern soul feel, 'Cruel
Streak' is a swampy blues song, with the album closer 'Slide Of Hand' being a lovely
guitar instrumental, very nice indeed, with touches of influences such as Ry Cooder
and Lowell George.
Loz Netto 'Replay'
Reviewed by Joe Geesin, Sep 2009
bluesmatters.com
When he signed to Atlantic, it was done personally by Ahmet Ertigun - no mean feat.
Chaka Khan, Rick James, Joe Walsh, and Kenny Rodgers have all covered Netto's
songs. This new album definitely has a Bluesy feel, with a commercial soul and
MOR feel. Pretty much everything is played by Netto, but some songs could easily
be a four or five piece band in a dark and smoky bar. Some of the deep backing
vocal harmonies are reminiscent of The Drifters. The guitar remaining intricate and
Bluesy, From folk to to Blues to Soul and even Delta Blues the album is gentle yet
varied.
BILLBOARD Album Picks
First Time Around
LOZ NETTO' Bzar, 21 Records T1-1-9003 (Polygram). Produced by Colin
Thurston. Singer/songwriter Loz Netto is well familiar with the dance groove
and the clever use of synthesizers, but you can tell he has aspirations beyond
that, both musically and lyrically. You can hear his accomplishments falling
short of his ambitions. He is in search of a Gary Numan type apotheosis, and
his quest may attract a cult.
CASHBOX
Reviews
BZAR 'Loz Netto '21 Records/Polygram TL-1-9003 'Producer: Colin Thurston ' List:
8.98
Starting off with a fast-paced stepper called 'Fade Away', Loz Netto proceeds on this
LP to take his audience on trips tro the Orient in 'Show Me' ('I love you when you're
full of Eastern promise,' goes one line) and around the world to Martinique on
'Rhythm Boys' ('A Latin lover does the peacock dance for a French girl but there's no
chance.') Along the way are mysterious threats, ambushes, blackmail, waves of
passion and other intense situations. Tailor made for DOR and alternative
programmers, 'BZAR' offers a weird 'special effects' sheen through the use of
synths, sorted rhythm boxes and bizarre backing vocals.
Guitar World, July 1983
Loz Netto
BZAR, 21 Records
From Brian Wilson and David Bowie to Roxy Music and the Cars, rock and roll
history has embodied the spirit of neo-romanticism. At its ironic peak, the post-
modern static angularity of a Lou Reed or John Cale screams out for love amidst the
ruins in very spite of itself.
In his capacity as lead guitarist for mid-seventies semi-smash London
undergrounders Sniff'n The Tears, Loz Netto displayed a distinct ability to flash clean
and tuff within a framework of spartan funk, not unlike Carlos Alomar's or Earl Slick's
work with David Bowie. With an impressionist nod to Phil Manzanera, Loz had that
uncanny intuitive ability to perceive the right spot for the perfect fill. After Sniff's
disbanding and a couple years recuperation from a nearly fatal cycle accident, Netto
has sailed forth with an impeccable solo debut produced by Bowie's Colin Thurston.
The flanged snake-work of 'Scenario' attests to his ax inspiration, while the sinuous
synthetic syncopations of 'Fade Away' or 'Slow Dancing' (covered by Chaka Kahn
joined by Rick James on her upcoming album) displays a stark lyricism reminiscent
of Bowie's most fruitful Station to Station period (cf 'TVC15').
Bruce Malamut
Billboard, July 2, 1983
Billboard's Recommended LPs
LOZ NETTO
Now that Loz Netto has hit the charts, he doesn't have to run away from home
anymore. The singer/songwriter, whose debut single, 'Fade Away', moves to
82 on the current Hot 100, tried valiantly to escape his native Coventry,
England, as a teen, only to return, penniless, some months later. But rock star
dreams aren't easily daunted, and Netto finally scored as a guitarist with sniff
'N the Tears, which scored a worldwide hit last year with 'Driver's Seat'.
'Loz Netto's Bzar', his debut album for 21 Records, marketed by Polygram,
features 'Fade Away', with synthesized effects coordinated by producer Colin
Thurston, who has guided David Bowie and, more recently, Duran Duran.
Players on the disk include bassist Ian Maidman, drummer Luigi Salvoni and
keyboardist Johnathan Cole.
'I wrote the lyrics with an awareness of video' says Netto, who believes 'the
new breed of musicians will be actors, too'.
Melody Maker, April 28, 1984
LOZ NETTO: 'You Are Rhythm' (21).
A man called Mark Berry has produced this, and he's given it the works. In an orgy of
knob-twiddling, he sends it out of the speakers amid a hail of electronics, furious
percussive wars and strange growling vocals. Behind all that the song scarcely
seems to matter, but the title is repeated a lot, the power relentless and the impact
not inconsiderable. With the requisite number of brandies inside me, I might even be
persuaded to shake a tail-feather to this one.
Billboard
Recommended Listening
'Fade Away' 'LOZ NETTO (21)
Look for Album Radio to be deluged with efficient and catchy pop tunes.
Now that programmers are becoming more responsive toward revitalizing
their playlists, previously unknown acts like Loz Netto stand a fair chance of
getting their product heard by shrapneled American listeners. In this case, it's
equally the singer and the song. The success of music like this will depend on
how snugly the song lends itself toward creative video production and
technological excitement.
Albums Of The Week
Reviewed by Ron Fell
"Bzar"-Loz Netto (21 Records/Polygram)
As lead guitarist in Sniff 'n' the Tears (DRIVER'S SEAT), Loz was there
when modern music was still in it's pubescent period. S 'n' T was accepted as
a novelty. In the three years since, modern music has become an entire
format. "Bzar" exceeds his previous work and my expectations with a set of
whole songs, rounded-off at the edges just enough to penertrate formats like
conventional Top 40, where only the strong survive.
BMG Music, Canada, October 21st 1988
Hi Loz,
Just wanted to let you know that Gene Simmons was in town and gave me the
pleasure of hearing some great refreshing new music. I heard about 6 or 7 tracks of
your sound and I must tell you it has been a very long time since I was blown away
right from the first listen ! I can't wait until we get the pleasure of turning on all of
Canada to your music.
Keep up the great work. This material is better than fantastic. I look forward to
meeting you soon. Take care.
Ken Bain
National Video/Artist Relations MGR.
Fax: May 12th 1989.
Congratulations, great record, you should be proud I am.
I know the Europeans will want to talk to you immediately,
so expect phone calls.
Gene Simmons.